In Alan Moore's Miracleman, the Qys inhabit vast structures from which they can look down through apertures at wardrobes of alternative bodies held in stasis in underspace.
In Moore's Jerusalem, builders and souls inhabit a vast structure from which they can look down through apertures at the static world lines of the three dimensional mortal realm.
I think that there is some parallelism between these two scenarios.
I would like to read a prose novel by Alan Moore in which Michael Moran/Marvelman/Miracleman flies down to converse with other characters. Moore certainly transformed MM into a character substantial enough for treatment in a purely verbal medium.
"Now. Here. Me."
-Alan Moore, Jerusalem (London, 2016), "CLOUDS UNFOLD," pp. 757-775 AT p. 757.
As Kant observed, every self-conscious being thinks:
"I see -,
"I think -,
"I know -,
"I am -."
Fill in the blanks.
The transcendental self is common whereas the empirical self, when the blanks have been filled in, is not. However, the transcendental self is a temporally enduring subject of consciousness spatially separated from temporally enduring objects of consciousness, including other subjects. That much at least is common.
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