Showing posts with label John le Carre. Show all posts
Showing posts with label John le Carre. Show all posts

Thursday, 17 May 2012

A Newspaper And A Novel


Twenty years ago, on 16 December 1991, my car was off the road so I travelled from Lancaster to Merseyside by train. There was a wait at Preston station so I bought the Guardian newspaper and The Secret Pilgrim by John le Carre, published that year. On p. 11 of the novel, the continuing character Toby Esterhase divulges that George Smiley is chairing "...an informal working party made up of officers from Moscow Centre and the Circus...to target the world's trouble spots..." (1) (The Circus is le Carre's fictitious name for the Secret Intelligence Service, MI6.) The Guardian, under the headline "Smiley's people train new class of spies from Eastern Europe," reported that "...the Secret Intelligence Service, MI6..." had started to train Eastern European agents following "...talks between Britain and east European governments about the need to co-operate on security and intelligence issues, particularly in the field of counter-terrorism." For once, events reported in a newspaper corresponded to events occurring in a contemporaneously published work of fiction. The fiction was up-to-date and even ahead of the headlines. Later, I cut out the newspaper report, dated it and put it as a bookmark between pages 10 and 11 of the novel. 

Referring to the novel and its bookmark now, I am reminded that the novel's dedication is "For Alec Guinness, with affection and thanks." That is another reality-fiction interface. Le Carre said in a radio interview that he stopped writing Smiley novels because Guinness had defined the character so well on television that he, the author, was now writing the character as portrayed by Guinness, not as originally conceived. Not that there was a contradiction but that the author's imagination had now been narrowed down to one view of the character as defined by the actor. To my surprise, I see that, although its Editorial Office had a London address, the publisher, Hodder and Stoughton Ltd, was based in Sevenoaks, Kent, where I lived for a while.

Frederick Forsyth's equivalent post-Cold War novel, which also involves an Intelligence officer looking back, is The Deceiver. Forsyth writes with much knowledge of world affairs and the British Establishment although his left wing characters are caricatures. In The Deceiver, he informs us, accurately, that the SIS was founded by Admiral Sir Mansfield Cumming. (2) He does not tell us here, though I think the information is given in another Forsyth novel, that Cumming's successors were referred to as "C." This became "M" in Fleming, "Control" in le Carre, "Mother" in The Avengers TV series, "the Man" in an American spy series etc. Long may fiction and reality intersect although they rarely do so as spectacularly as they did in Preston station on 16 December 1991.

(1) John le Carre, The Secret Pilgrim, London, 1991, p.11.
(2) Frederick Forsyth, The Deceiver, London, 1991, p. 19.

Buchan, le Carre and Grisham


Someone might write an interesting comparison between three thriller writers who happen to be called John. From Buchan to Le Carre is a change from patriotism to cynicism. Grisham makes two further changes, of nationality and profession: from British spy thrillers to American legal thrillers.

Buchan's plots rely on too many coincidences and implausible events, particularly in The Three Hostages. Buchan's own political career seems to have obsessed him with the idea of someone speaking publicly without preparation but carrying it off. This happens at least three times in the novels. Buchan wrote from a different era when he said of the then King of England not, "He liked my books," but "He did me the honour to be amused by my romances." (An old edition of a HG Wells novel listing other works by the same author included titles under not "Science Fiction" but "Mr Wells has also written the following fantastic and imaginative romances: -")

Grisham's novels are gripping page turners throughout. He skilfully connects books with recurring characters and settings. As in le Carre though not in Buchan, it is taken for granted that an assassination may have been committed by agents not of a foreign government but of ours. A new Grisham novel set in the 2000's and referring to emails, the internet, satellites and space aeroplanes reads like science fiction. These three writers bring their readers a long way from the eve of the Great War in The Thirty Nine Steps through the Cold War to the high tech war on terror.